Can quantifying the attributes of a TV show tell us something about its quality? I reckon some of the flaws in House of the Dragon would be reflected in statistics like amount of dialogue per minute and number of decisions made per character. A non-negligible amount of time is spent on dramatic montages and orchestral music that create a moody atmosphere and remind us of how serious the situation is. This comes at the cost of time that could be spent on actual situations and actual drama, or at least character development that would contribute to future drama.

These two elements – dialogue and decision-making – each give us an independent perspective into a character, but their combination is especially powerful because it gives us a third angle: insight into what a character is thinking, including what they are thinking unconsciously. From this we get what might be the critical ingredient of great story-telling: three-dimensional characters.

My qualm with shows like House of the Dragon is that their plot feels designed and implemented. I sense the presence of writers and their attempts to show me what’s happening and persuade me that it makes sense. I can’t get lost in the fictional world as if it were a real one because I see the pencil marks from when it was sketched out. My suspension of disbelief never takes off. One might say, Well, yeah, all fictional plots are prescribed. But they’re not, and writers like Stephen King and Cormac McCarthy have attested to it.

Great In great shows like _The Sopranos_ often feel Sopranos_, plot is not implemented, it’s incubated. The show feels to me like they are it’s happening spontaneously, developing by themselves itself as a continuous chain sequence of events, reactions, and actions. In every episode there is constant dialogue between characters and a steady supply of situations that require characters to make decisions. Much of the time, these have nothing to do with plot. Every season has at least one major narrative arc, but the dependence is flipped. Episodes don’t depend on an overarching plot for their meaning. Episodes generate the plot. Characters are agents, not passengers. I don’t feel like the writers are leading me to the plot’s predetermined destination. In fact I don’t feel their presence at all. I feel like I’m witnessing something. In The Sopranos, plot is not implemented, it’s incubated.